Archive for December, 2016

Favorite Singles of 2016

December 26, 2016

My favorite singles of the year run the gamut from commercial to obscure and everything in between. Keep reading for career moments from Tim McGraw and Reba McEntire to shining examples of why Lori McKenna and Brandy Clark are more than expert songwriters.

unknown10. Chris Young Feat Cassadee Pope – ‘Think Of You’

Young deserves credit for searching within his own genre for a female collaborator. He deserves praise for co-writing a song that doesn’t use Pope as
window dressing, but rather as a means of furthering the story. This tale of a once-great couple isn’t revelatory, but it’s catchy as hell.

 9. William Michael Morgan – ‘Missing’

The influence George Strait said was absent from country radio came roaring back to life with William Michael Morgan’s follow-up to “I Met A Girl.” “Missing” is an astonishing single in that it makes little compromise to the modern landscape. Warner Bros deserves credit for releasing something this country to radio. Time will tell if they respond favorably.

 500x5008. Kelsey Waldon – ‘All By Myself’

Among its many achievements, a few of which you’ll see highlighted further down, 2016 introduced Kelsey Waldon, a killer traditionalist, to the masses. “All By Myself” is a stern warning to fakers, a biting assessment of authenticity and a woman’s empowerment anthem for the current generation. 

7. Mary Chapin Carpenter – ‘Something Tamed, Something Wild’

The most common criticism I’ve heard about Mary Chapin Carpenter’s more recent works is she ‘lacks a pulse.’ It may be true to an extent, but I’m not hearing it here. This introspective examination of existential curiosity is one of her finest in recent memory. The parent album it comes from is her best in more than a decade.

6. Time Jumpers – ‘Kid Sister’

Vince Gill’s tribute to Dawn Sears is both personal and touching.

record-year-cover5. Eric Church – ‘Record Year’

Not since “The Song Remembers When” has a song about songs been this clever or powerful. Church proves he’s a master once again, name checking legends at every turn and laying out a jovial tale of heartbreak both ear catching and believable. “Record Year” is undoubtedly the best mainstream single of the year.

 4. Lori McKenna – ‘Wreck You’

The lead single from The Bird and the Rifle is this masterful look at sabotage in which the woman is admitting fault, with brutal candor – “Something between us changed, I’m not sure if its you or me But lately all I do seems to wreck you.”

unspecified-13. Tim McGraw – ‘How I’ll Always Be’

2016 found Tim McGraw in an artistic renaissance, with his strongest back-to-back singles in twenty years. He succeeded in a climate unfavorable to substance without conceding to modern pressures. “Humble & Kind” is the better lyric. But “How I’ll Always Be” shines melodically. Not since “Just To See You Smile” has McGraw sounded this good on record. 

2. Brandy Clark – ‘Love Can Go To Hell’

The genius is in the delivery. Brandy Clark sings this so deadpan, it’s easy to miss the dark humor underneath the surface. I totally missed it, but when it hit me, I never heard this the same way again.

reba-1024x10241. Reba McEntire – ‘Just Like Them Horses’

Tim McGraw wasn’t the only one in the throws of an artistic reawaking in 2016. This tale of a dying man giving positive reassurance to the loved one he’s leaving behind may’ve been too much for radio to bare, the unique take on ‘if you love me, let me go’ too smart for the masses.

Reba eulogized her father with this tune before committing it to record, which only solidified the emotional undertones she brought forth in her performance, her strongest vocal since “If I Had Only Known” twenty-five years ago. “Just Like Them Horses” is just that good, a bone-chilling highlight from a career with far too many to count.

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Album Review: Loretta Lynn – ‘White Christmas Blue’

December 23, 2016

Loretta Lynn

loretta-lynn-white-christmas-blue-1476726333

White Christmas Blue

* * * 1/2

The crop of Christmas albums has been hit or miss this year with big band affairs aptly showcasing Chris Young and Brett Eldridge’s vocal prowess and Kacey Musgraves’ continued decent into her own quirkiness. Garth Brooks and Trisha Yearwood had the most disappointing record, a haphazard affair unbecoming from an artist (Yearwood) with impeccable song sense who knows better.

Loretta Lynn has released the years most intriguing holiday record, White Christmas Blue, which comes a full fifty years since her Owen Bradley produced Country Christmas. The album is a full-on traditional affair and a delight at every turn.

I usually find fiddle and steel out of place on a Christmas album, but White Christmas Blue is changing that perception for me. The album is mostly comprised of holiday standards, with jovial renditions of “Frosty The Snowman” and “Jingle Bells” sitting comfortably along side “To Heck With Ole Santa Claus,” one of the album’s strongest cuts and a personal favorite of mine. “Blue Christmas,” a full-on honky-tonker in Lynn’s hands, is also excellent.

The ballads don’t hit as hard. It may be the starkness she brings to “Away In A Manger,” “Silent Night” and “Oh, Come All Ye Faithful” that didn’t do it for me or the fact I’ve heard them so often, in so may different versions, their simple beauty has begun to wear thin. “’Twas The Night Before Christmas” was a complete surprise, a perfect way to end the album.

White Christmas Blue also boasts two original numbers. “Country Christmas” is a rerecording of the title track from the last album and Lynn hasn’t lost any of the spunk she brought to the original. The other, the title track, is a rather somber affair, which finds Lynn with everything she wants – except her honey:

It’s Christmas Eve and I’m still all alone

It’ll be Christmas day when you come home

Icicles hanging from the eves, snow is glistenin’ from the trees

My Christmas time with you is over due

 

You turn into my white Christmas blue

You turn into my white Christmas blue

I should be saying ho ho ho instead of bu bu bu

Oh Santa Claus would no want you to break my heart in two

You turn into my white Christmas blue

I cannot recommend this album enough.