In the immortal words of the almighty Chris M. Wilcox, we need to revere the living icons of country music and ‘Love ‘em while They’re Here.’ His 2012 piece is a subtle battle cry of sorts, a wake up call to seek out concerts the talent we’re fortunate still has the energy and stamina to traverse the country and put on shows. Wilcox’s article is met with added urgency for the mere fact a good number of the artists he cited have died since it was published.
One legend still going strong, at 83, is Loretta Lynn. I had the good fortune of seeing her live for the first time last Saturday, August 22, at the South Shore Music Circus in Cohasset, MA. I’ve seen many a legend there through there through the years and have witnessed many incredible evenings of music under their tent. But this may’ve been the most special night of all.
The night began with Lynn’s daughter Patsy taking the stage with some housekeeping and other general announcements. She got the crowd going with talk of an autographed box set and lyric book available at the merchandise booth. Once she was done, Lynn’s band The Coal Miners (which features her son) took the stage for some opening numbers to get the crowd going. They began with a feisty “Mama Tried” and ended with “Good As I Once Was.” The pair is random on paper, but the Toby Keith hit really isn’t terribly far off from the Merle Haggard classic sonically.
I was pleasantly surprised when Patsy returned with her sister Peggy for a couple of tunes. They opened with a contemporary number before closing with the crowd pleasing “Tulsa Time.” I was kind of remise they didn’t perform “Nights Like These,” but I was likely the only one in the crowd to distinctly remember their sole “hit” from the late 1990s.
Once Loretta came out to a standing ovation, she literally didn’t let up for just over an hour. A blessing of country music from her era is the length of songs. At about two minutes or so each, you can cram in quite a bit in a short amount of time. And boy did Lynn give us everything she’s got.
I’m not as familiar with everything in her vast catalog, but I was surprised just how many of her hits I was familiar with, at least on some level. Lynn ran through the requisite classics – “Fist City,” “The Pill,” “Don’t Come Home A Drinkin,’” “You’re Lookin’ At Country,” “Blue Kentucky Girl” and “You Ain’t Woman Enough.” Lynn executed each of her iconic songs with precision – no false notes or signs her voice has significantly aged.
The poignant “Dear Uncle Sam,” which she said she wrote at the start of the Vietnam War was an emotional highlight. For a forty-nine year old song, the message in “Dear Uncle Sam” rang loud and clear. Everyone was chocked up when she got to the final verse. It was a lesson that great songs really do stand the test of time.
Lynn didn’t go off a set list, which allowed for audience requests. I hate that distracting option, but it didn’t hinder the flow at all. No matter what we through at her, she gave all the gusto she had. Her son joined her on “Feelings,” the only one of the duets with Conway Twitty that was performed. Lynn also gave a gorgeous reading of “Love Is The Foundation” and added even more humor to “One’s On The Way” by upping the number of kids in the title (“Four’s on The Way”). I’ve always found that song to be a little cutesy, but it’s one of the most honest portrayals of motherhood in country music history.
The only negative aspect of the evening, and it was very minor, was Lynn’s overall attitude. She seemed a little sad – frustrated when she didn’t feel her voice was making it. Lynn explained to the audience how she’s much better when she’s sung on consecutive nights opposed to coming back after three or so weeks without a performance. Towards the end of the hour she had to rest and her band took over with a couple more songs. Once they made the decision to have Lynn sing “Coal Miner’s Daughter,” you knew the once-in-a-lifetime night was drawing to a close.
The concert was magnificent. I truly couldn’t have asked for anything more from a woman who’s given so much goodness to the betterment of country music. It would’ve been wonderful to hear her talk more about the individual songs, (she did say no one would probably remember “I’m A Honky Tonk Girl” after she performed it), but she chose to fit in as much music as she could instead. There’s no arguing about the gift of hearing great music instead of a lot of talking. She also focused solely on the hits, leaving out tracks from Still Country and Van Lear Rose.
What surprised me, though, was how modern everything sounded. I didn’t feel like I was listening to tracks designed for a 1960s/1970s musical landscape. Lynn’s songs are so expertly composed they transcend decades and trends. No matter what generation you were from, and there were some kids in the audience, you could relate to what Lynn was singing. It’s a good thing, too, because five new albums are coming – Patsy teased them at the start of the night.
I couldn’t be more thrilled to have had this rare chance to see Loretta Lynn live. If she hadn’t come to that venue, I never would’ve sought her out. I urge anyone who’s never been to one of her shows to run if given the chance. Chris M. Wilcox is correct, we really do have to love ‘em while they’re here.