Yes Dear is an acoustic trio formed in Nashville, TN whose members each have an impressive back story. Lead Vocalist Joey Boone released his debut album at 16 and spent the better part of the late 1990s working with country songwriters such as Bobby Emmons and Johnny Christopher. Rhythm Guitarist Josh Jackson fronted a namesake rock band and garnered critical acclaim from The Nashville Scene Critics Poll and Rolling Stone Magazine. Multi- Instrumentalist Locke Sandahl was the lead guitarist in Jackson’s band.
The band released their eponymous debut album last December. It’s an eight-song collection bursting with tight-knit harmonies framed by Steve Gibson’s warm and inviting production.
The EP is at its strongest when the band blends their harmonies with ear pleasing organic production. Two fine examples bookend the album, perfectly showcasing the band’s tight synchronicity. They open with the surprisingly sunny “Baby Don’t Go,” about a man pleading with his woman not to leave. They close the album even stronger, with the exquisite bluegrass romp “Train Bound for Anywhere.” The track, my favorite on the album, marries together a winning lyric with Gibson’s crisp mandolin and banjo-drenched production.
“Rusty Old American Dream” is an excellent love song told from the prospective of a very used 1950s car looking for a new home. The lyric is a magical slice of songwriting gold, framed in a plucky arrangement that perfectly captures the hopefulness within the story.
“If You Weren’t Here Today” rests on a sarcastic response to a nagging girlfriend. The concept is nothing new but they cleverly (and subtly) approach it in a three-act story that paints a clear picture of the guy’s growing distain.
“Rosa” shows a more contemporary side of the band. The track employs more of a pop leaning sound with a fuller production that leaves ample room for the lyric, about a girl wanting to spread her wings, to remain the central focus.
The chorus is slightly underdeveloped on the funky “Na Na,” which has a very appealing groove and more of the band’s signature harmonies. The story, which becomes topical in the second verse, is also very strong.
Among the eight tracks on Yes Dear are two outstanding ballads. “Somebody Like You,” about the joys of being in a healthy relationship, would easily come off saccharine or cutesy in lesser hands. They avoid it with their palpable sincerity, which gives the story a genuine feel. “Things That Little Girls Do,” in which a father is observing the innocent behaviors of his daughter, is a stunning showcase of authentic emotion.
Yes Dear is the perfect introduction to a fresh talent on the independent country music scene. I highly recommend checking them out and look forward to whatever they plan to do musically in the years to come.
To purchase their EP, check them out on iTunes