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For 25-year-old Christa Gniadek, music has always been in her blood. A classically trained pianist she left her Connecticut hometown for Boston. Gniadek studied at Berklee College of Music where she earned a Songwriting Degree.
In her relatively short career, Gniadek first took to the stage at 18; she’s recorded three full-length albums and two EPs. Gniadek teamed with Charles Haynes, best known for his work with Ed Sheeran and Lady Gaga, for her latest release, Leaving Boston. The ballad heavy album is lush in nature, which perfectly compliments Gniadek’s beautifully smoky voice.
A steady melody of guitars and light percussion frames “I Had You,” about a woman ready to dive into a relationship headfirst. I love Gniadek’s clever lyric, which dives into her fearlessness about the potential for heartbreak, and boldly declares, ‘if I lose you, that means I had you.’
Gniadek’s palpable pain is all too real on “No Way Out,” a heartbreaker about a relationship gone sour. She’s at his place, with ‘a wall of sheetrock between your hand and mine’ and so may internal feelings left unsaid. Gniadek ‘s quiet simplicity reveals her hurt, allowing the listener to fully appreciate the magnitude of her circumstances. On “Never Let Me Go” Gniadek is a woman pleading with her man to sober up and realize what he has – a woman committed to his love.
“Love Like Ours” is my favorite type of song, rich with details about the little things in life that comprise the bond between a woman and her man. Their relationship isn’t about fancy indulgences. It’s about the little gestures that mean a whole lot more:
It’s barely eight you made coffee and pancakes
One of the few mornings I’m glad that I’m awake
I take a sip,
Know you left the sugar out
Look up for a kiss, yeah,
This is what it’s about
The beautiful “You” is another love song. Gniadek is torn in two – she wants to live her dreams yet desires to have her man by her side to wake up to each morning. The push and pull is all too real, perfectly detailed in Gniadek’s brutally honest lyric.
She’s ravished on “Nothing Left,” which finds a woman with an empty heart who doesn’t really know exactly what she wants. “Worst Kind of Love” may give some answers, as Gniadek has no idea what she’s done to deserve the treatment she’s experiencing. That treatment is all too clear on jaunty album opener “It’s Not Right,” which has Gniadek confronting her man for not being more explicit with his feelings. It’s my favorite song on the record because of the production, which adds a texture that invited me in from the first note.
Gniadek is a woman on the run in the title track; quickly ripping the Band-Aid off the relationship in order to move on, no matter how much hurt is left in her wake. In the end she leaves for “The Road,” which is where her heart belonged all this time. The intoxicating pull was too much for her to bear and Gniadek had to do what was right for her and follow what is really in her heart.
The journey of this record is fascinating. Gniadek uses Leaving Boston to work through unresolved questions and pain to get the clarity she needed to follow the right path. Her astute songwriting makes these songs come alive. This is not your average singer-songwriter rehashing well-worn themes. Leaving Boston showcases a fully formed woman elevating those themes to another level with honest relatability. You feel exactly what she’s going through, which makes it all the more satisfying to join her on this journey.
At first I wasn’t onboard with the quietness of the album, but it’s what makes Leaving Boston so special. Gniadek forces you to stop and pay attention to every last word. I couldn’t ask for anything more than that.
For more information on Christa Gniadek, check out her website.
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