Posts Tagged ‘REM’

Top 10 Singles of 2015

December 16, 2015

What does it say about me that the highest charting single on my list took eight months to peak at #9? I’ve continued to broaden my tastes as I’ve aged while continuing to closely follow the artists I’ve always admired. There was some stunning music this year and these ten selections are only the tip of the iceberg. Leave a comment and let me know what you think.

cdca72c7ec5625f0f1f483fb_440x44010. I’m With Her – ‘Crossing Muddy Waters’

I’m With Her (Sara Watkins, Sarah Jarosz, and Aoife O’Donovan) is one of the more unique collaborations of the year and their cover of the fifteen year old John Hiatt song is the amuse-bouche to a main course full-length album that may come within the next few years. This track is too faithful to be a doozy but it more than proves they have the potential to be an artistic force should they go down that road. I really hope they do.

Trisha-Yearwood-I-remember-You9. Trisha Yearwood – ‘I Remember You’

Every Trisha Yearwood album has its own personality and PrizeFighter: Hit After Hit lies on the more Adult Contemporary side of the country spectrum. “I Remember You,” a tribute to her mom, is far from the most dynamic ballad she’s ever recorded. But it shows off a tender side of her voice we’ve never heard before. Yearwood is a vocal chameleon able to adapt to any style and work within any parameters. She’s still a master after twenty-five years. I cannot wait to see what she has in store for us next.

Traveller8. Chris Stapleton – ‘Traveller’

“Tennessee Whiskey,” the early 1980s George Jones hit he sang on the CMA Awards, is the standout showcase for his gifts as a vocalist. “Traveller,” showcases his talents as a songwriter. This autobiographical mid-tempo ballad casts Stapleton as a vagabond who knows his path but cannot see his destination. Like any great artist he’s spent his time paying his dues and working the system until he could shine in his own light. He may always be a “Traveller,” but I bet he has a much clearer picture of where he’s headed now that the world finally knows his name.

Screen-Shot-2015-05-05-at-10.39.03-AM7. Jason Isbell – ’24 Frames’

“24 Frames” is a 1990s inspired gem that owes more to R.E.M. than Alan Jackson, bringing the same addictive quality (minus the mandolins) that made “Losing My Religion” so intoxicating. “24 Frames” is a fantastic meditation on relationships, cumulating with a chorus that compares God to an architect and declares, “he’s something like a pipe bomb ready to blow.”

Thile & PB6. Punch Brothers – ‘I Blew It Off’

The coolest track from The Phosphorescent Blues is this plucky slice of bluegrass-pop, a style Chris Thile and the boys have perfected over the course of their four albums. They returned after a three-year hiatus to find Thile with a ‘bad case of twenty-first century stress,’ which is about the only thing he can’t shrug off. He’s furious yet knows he isn’t alone, declaring by the end that modern technology is having an effect on everyone, not just him. “I Blew It Off” is as simple as any song could be saying a lot in a very tiny space. That’s often where the most valuable riches can be found.

Fly5. Maddie & Tae – ‘Fly’

Not since “Cowboy Take Me Away” has a fiddle driven pop-country ballad reached these artistic heights. At a moment when Maddie & Tae had to show the world what else they could do, they blew away the competition with their exquisite harmonies and pitch perfect lyric. They aren’t the Dixie Chicks by any means, but they’re pretty darn close.


Dierks-Bentley-Riser-Album-Art-CountryMusicIsLove4. Dierks Bentley – ‘Riser’

Even in the face of commercial pressures, Dierks Bentley sticks to his convictions. “Riser” is a sweeping tale of overcoming odds and one of his finest singles. I have no clue why he hasn’t risen (no pun intended) to the upper echelon of country greats at a time when he’s bucking trends and releasing worthy songs to country radio. He’s one of the best we have and deserves to be compensated as such.

2647969113. Jana Kramer – ‘I Got The Boy’

Leave it to Jamie Lynn Spears, of all people, to write the strongest hook of the year: ‘I got the boy, you got the man.’ Leave it to Jana Kramer to sell the pain and conviction felt by the scorned ex who is seeing the boy she loved transformed into the man she always wanted him to be.

Eric-Church-Like-a-Wrecking-Ball2. Eric Church – ‘Like A Wrecking Ball’

When Eric Church brought the idea for this song to co-writer Casey Beathard he balked. At the time, Miley Cyrus was hitting big with her similarly titled smash. Church, who cannot be under estimated, knew exactly what he was doing. This tour de force is the most original song about making love to hit any radio format in recent memory. It’s also the coolest one-off artistic statement since Dwight Yoakam hit with “Nothing” twenty years ago. Eric Church is the strongest male country singer in the mainstream right now.

lee-ann-womack_9601. Lee Ann Womack – ‘Chances Are’

What needs to be said about Lee Ann Womack wrapping her exquisite voice around a pure country weeper? She came into her own on The Way I’m Livin’ and finally found the space to create the music in her soul. The album’s third single is a shining example of the perfect song matched with the only artist who has enough nuance to drive it home. Lee Ann Womack is simply one of the greatest female country singers ever to walk the earth.

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Album Review: Jason Isbell – ‘Something More Than Free’

July 15, 2015

Jason Isbell

jason-isbell-something-more-than-free-560x560

Something More Than Free

* * * * 1/2

Following up an album as iconic and masterful as Southeastern is not an easy task, even for the smartest of artists. I was very pleasantly surprised when I heard Jason Isbell had readied a follow-up record so quickly but nervous that it wouldn’t live up to the artistic behemoth that proceeded it. After all, how does an artist even begin to build upon the impossible foundation set by the greatest songwriting triumph this decade? Well, he just does it all over again.

Something More Than Free cements Isbell’s status as the best singer-songwriter currently orbiting the country universe. His way with a lyric is unparalleled to his peers, who can’t even come close to bringing as much sensitivity and nuance to the stories they construct. He’s simply a master among armatures.

Lead single “24 Frames” is a 1990s inspired gem that owes more to R.E.M. than Alan Jackson, bringing the same addictive quality (minus the mandolins) that made “Losing My Religion” so intoxicating. “24 Frames” is a fantastic meditation on relationships, cumulating with the chorus:

You thought God was an architect

Now you know
He’s something like a pipe-bomb ready to blow
Everything you’ve built that’s all for show goes up in flames

In twenty-four frames

One of the most poignant aspects of Something More Than Free is the reliance on songs about work with an overarching reflection on life as a whole. Album opener “If It Takes A Lifetime” is the greatest rumination on patience I’ve ever heard. “The Life You Chose” is a take-no-prisoners reality check on personal trajectory, asking, ‘are you living the life you chose? Are you living the life that chose you?’ Isbell’s turns of phrase are impeccable, when the chorus continues by asking, ‘are you taking the grownup dose?

Isbell is at his strongest on the title track, in which he paints a character spending his days enduring hellish extremes who is ‘just lucky to have the work.’ His songwriting genius reveals itself in the sly way he incorporates the lyric’s true meaning, by stating the song’s title only once. That single usage gives the song its powerful twist:

The day will come. I’ll find a reason
Somebody proud to love a man like me
My back is numb and my hands are freezing
but what I’m working for is something more than free

Those who’ve been deeply affected by Andy’s love for his cancer stricken friend in “Elephant” know Isbell is a storyteller in his class of his own. The remarkable “Speed Trap Town” isn’t as by the book, but it finds Isbell embodying the soul of a man as he realizes he needs a quick exit strategy:

And it never did occur to me to leave ’til tonight,
when there’s no one left to ask if I’m alright
I’ll sleep until I’m straight enough to drive, then decide

if there’s anything that can’t be left behind

In “Children of Children” Isbell introduces us to Michael, the son of a teenage mother who becomes a teenager with a child of his own. The heartbreaking twist comes when you realize the song is really about a woman’s worth and sacrifice:

You were riding on your mother’s hip

She was shorter than the corn
and all the years you took from her just by being born

Amidst all the grim realities, Isbell throws us a bone with “Flagship,” a sweet love song about one man’s observances and a simple vow to always find a way to keep the romance alive. He gives us a completely different kind of adoration on “The Band I Loved,” which is presumably about The Drive-By-Truckers. Isbell is trying to justify the circumstances when everything went to hell and how he looks back on it all today.

Like Southeastern before it, Something More Than Free is soaked in gritty reality. Isbell is fearless in the honest way he stays true to the authenticity of every moment he creates. His albums, at least these last two, are drenched in rock elements that perfectly compliment his signature gravel and help create the individual mood of each song. Now that he’s strongly framed the house, I cannot wait to see where he takes us next.