Posts Tagged ‘Marc Rossi’

Concert Review: Nancy Beaudette & The Kelly Girls in Framingham, Massachusetts

May 1, 2016
The Kelly Girls (L-R: Christine Hatch, Nancy Beaudette, Aisling Keating and Theresa Gerene) perform at Amazing Things Arts Center in Framingham, MA

The Kelly Girls (L-R: Christine Hatch, Nancy Beaudette, Aisling Keating and Theresa Gerene) perform at Amazing Things Arts Center in Framingham, MA

As our world becomes increasingly more frivolous, it’s harder and harder to find cultural experiences that truly awaken the soul. I was witness to a gem recently, when Nancy Beaudette and The Kelly Girls performed at The Amazing Things Arts Center in Framingham, Massachusetts.

I’ve been a fan of Beaudette’s music for a few years now but I’d yet to see her live until this April 23 concert. I had a feeling the show would be special; her latest album South Branch Road is exquisite, but I didn’t know how far it would exceed my expectations.

She opened solo, taking to the stage backed solely by the trusty six-string strung across her shoulder. Beaudette began wistfully with “Starlight” and closed merrily with “’Till The Tomatoes Ripen,” which had ample audience participation.

Beaudette shared many stories along the way, from her time growing up in Cornwall, Ontario to her distinctly separate relationships with her parents. She’s the middle of five kids, and not afraid to admit she was the rebellious one. These autobiographical anecdotes were perfect fodder to pair with songs like “South Branch Road,” a nostalgic ode to her childhood home. She livened up the room with the jaunty “Build It Up,” about a fire suffered by her great-grandmother who, incredibly, had fifteen children.

My favorite moment in her set wasn’t a song, but a tale about her annual writer’s retreats, trips that have taken her across continents. This past January brought her to Bali, where she connected with children in a small village through a love of music. They didn’t have the resources for everyone to have an instrument, so Beaudette made sure they all received a guitar before her departure back to the states.

The cultural immersion kicked into high gear when The Kelly Girls took the stage in the second half. The four-piece Celtic band, of which Beaudette is a part along with Christine Hatch, Aisling Keating and Theresa Gerene, performed songs that traversed centuries, generations and even ancestry.

Their set was richly layered with historical significance and a captivating approachability. They opened strong, with their tight harmonies giving way to infectious fiddle-drenched instrumentation. They ran through traditional and newly penned Irish tunes along with accents of folk and a touch of country. The set was distinctly diverse, with Keating displaying her angelic soprano and Gerene firing off verses at breakneck speed. Hatch sang lead on two of the evening’s most charming numbers, the folksy “Charlie On The M.T.A.” and the Western classic “I Wanna Be A Cowboy’s Sweetheart.” Their yodels were impeccably distinct signatures of their personalities, which added unique texture to the more than ninety-year-old standard.

Nancy Beaudette performs at Amazing Things Arts Center in Framingham, MA on April 23, 2016.

Nancy Beaudette performs at Amazing Things Arts Center in Framingham, MA on April 23, 2016.

The ballads were just as robust as the uptempo numbers, striking in their simplicity. I adored their take on Beaudette’s “The Company of Stones,” which is rooted in the ancestral homeland where the Beaudette family first settled in Canada. I loved Keating’s accents of flute, an instrument I can’t say I hear live all that often.

As if the music wasn’t enough, they brought a human element to the evening that aided in personal connection. The Kelly Girls gave away prizes during their set and Beaudette singled out my mom, who went to High School with her ‘Build It Up’ co-writer Marc Rossi. They even greeted the crowd (which consisted of friends and family, including Hatch’s mom) before and after the show, which just doesn’t happen anymore no matter how localized the artist may be.

I came away having witnessed a unique bond between friends making music simply out of passion for the art. The Kelly Girls, the epitome of a tightly in synch ensemble, left me in the best possible place – wanting more and more. If you ever get a chance to see them live, hopefully accompanied with a Beaudette solo set, I’m sure you’ll come away feeling exactly as I did that evening. Make it a point to seek out a performance; I know for sure you won’t regret it.

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Album Review: Nancy Beaudette – ‘South Branch Road’

June 23, 2015

Nancy Beaudette

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South Branch Road

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A virtue of the independent music scene is the joy in discovering artists for which the act of creating music is a deeply personal art. Nancy Beaudette, who hails from Cornwall, Ontario, but has made a name for herself in Central Massachusetts, is one such singer-songwriter. With South Branch Road, her eighth release, Beaudette’s homespun tales are the most fully realized of her nearly three-decade career.

The gorgeous title track, where the gentle strums of an acoustic guitar frame Beaudette’s elegant ode to her childhood, is a perfect example:

I fell in love with tar and stone

And a county lined with maple and oak

In sixty-one with three kids in tow

Mom and dad bought a place there and made it home

I spent my summers on a steel blue bike

Weaving shoulder to shoulder like wind in a kite

Dreaming big and reaching high

Riding further and further out on my own

The image of a girl and her bike surfaces again on “Ride On,” a wispy ballad chronicling a daughter’s relationship with her father. The track, co-written by Beaudette, Kerry Chater, and Lynn Gillespie Chater, succeeds on the fact it doesn’t end with the father’s death, like these songs almost always do. The journey of life surfaces again on “Can’t Hold Back,” a mid-tempo ballad co-written with Rick Lang. The track beautifully employs a nature metaphor that Beaudette and Lang keep fresh and exciting with their clever lyric.

Beaudette solely penned the masterfully constructed “Something Tells Me,” the devastating centerpiece of South Branch Road. An unpredictable twist follows a story that sits in an air of mystery until the final verse belts you square in the gut. I haven’t felt this much emotion towards a song in years, probably because the woman in the song and my mom are the same age.

Beaudette clearly isn’t a novice, as she smartly surrounds “Something Tells Me,” the most affecting number on South Branch Road, with joyous moments of levity. These moments are the heart and soul of the record, showcasing Beaudette’s everywoman nature and her ability to draw you in with her aptitude for turning narratives into conversations, as though you were just casually catching up over a cup of coffee.

“’Till The Tomatoes Ripen” takes me back to my childhood and my grandfather’s tradition of planting an insanely large garden of the titular vegetable. I fondly remember the pleasure of going through the rows and picking the red ones by the basketful. Beaudette’s lyric conveys the much simpler notion of planting the garden itself and the contented happiness that comes from watching it grow. The peaceful oceanfront setting in which she places said garden only increases the joy abounding from the proceedings.

The bonds of newly minted friendship take center ice on “Shoot to Score,” a hockey-themed uptempo number that values the importance of dream visualization. Cornwall is a hockey city, so Beaudette is right-at-home name-checking the likes of Bobby Orr and Wayne Gretzky. The lyric turns wonderfully personal when Beaudette recounts her own memories with the sport:

I loved to play but I wasn’t great

An’ I showed up with my figure skates

And my first step out onto the ice

And I fell flat on my face

“End of Line” is the purest country song on South Branch Road. Banjo and fiddle abound on a story about a couple, their love of watching trains, and the moment their relationship has to end. The rollicking tune feels almost like a prelude to “Between Your Heart and Mine,” a mournful ballad about a woman, a lost love, and a stroll across the Brooklyn Bridge. I can’t remember an instance when such a memorable walk was so delightfully clouded in ambiguity.

“Build It Up” teams Beaudette with Marc Rossi, a Nashville-based songwriter who graduated from high school with my parents. The lyric details a farmhouse fire in the early 20th century and the way lives were altered as a result. The slicker production, which recalls Forget About It era Alison Krauss, is perfectly in service to the downbeat but catchy lyric. Opener “Starlight” harkens back to early 1990s Mary Chapin Carpenter with a gloriously bright production and Beaudette’s high energy vocal.

South Branch Road is extraordinarily layered and nuanced. Channeling her inner Don Williams, Beaudette draws you in with her natural simplicity. Her songwriting gets to the heart of the matter by conveying emotion without bogging down the listener with unnecessarily clunky lyrics. She’s a master storyteller, which in turn has informed her ability to craft lyrical compositions that fully utilize this very rare gift.

Beaudette’s relatability, and the personal connections I’ve found within these songs, drew me in to fully appreciate the magic of South Branch Road; a window into her soul. She’s constructed an album from the inside out, using her own life to give the listener a deeply personal tour of her many winds and roads, reflecting on the lessons learned around each curve and bend. Beaudette is already a bright bulb on the independent music scene but the release of South Branch Road demands that light shine even brighter.