Posts Tagged ‘Dan Wilson’

Album Review: The Band Perry – “Pioneer”

April 30, 2013

“Daddy rocked us to sleep with the Rolling Stones; Mama woke us up with Loretta Lynn. So we get it honest” – Kimberly Perry

The Band Perry

Pioneer

***1/2

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It’s no secret that “If I Die Young” is one of my favorite singles of this decade, no matter how much airplay it receives. Nathan Chapman’s simple production combined with Kimberly’s sweet vocal is an irresistible combination, difficult for me to resist.

So about a year ago now, I was thrilled when The Band Perry announced they’d be working with Rick Rubin on their sophomore album. The veteran producer who famously resurrected Johnny Cash’s career in the final two decades of life, he also produced the final Dixie Chick record Taking The Long Way, possibly my favorite album from them. In addition, they expressed their intent to work with songwriting genius (and Semisonic front man) Dan Wilson based on his involvement with “Someone Like You” and “Don’t You Remember” from Adele’s 21 (He also had a lot to do with the genius of the Chicks’ album). The Perry siblings even spoke openly of their love for those two songs, which made me very excited, as I love them, too.

So, what the heck went so horribly wrong? Well, it seems like the their label had other ideas. Kimberly has explained that Rubin “in his current incarnation” is a minimalist, but “we also knew that to accommodate all of the goals that we had, the best producer was Dann Huff.” One can assume, reading between the PR fog, that Republic Nashville didn’t approve of Rubin’s artistry, and wanted the band to go with a producer that would keep them firmly within the good graces of country radio. In other words, an intelligently articulate record wouldn’t be supported in today’s Nashville in the same ways an overproduced Huff-led record would.

And is Pioneer ever overproduced. Huff works his usual magic, suffocating the songs until they are one click away from needing life support. The rock production has even affected Kimberly’s voice, the band’s crowning instrument, which is now sadly showing the wear of extreme overuse. I wasn’t expecting to hear such breathy vocals from her, and like Carrie Underwood’s newly acquired rasp, it’s kind of sad. What ever happened to simply singing?

Pioneer is what happens when country music becomes too commercial. Every aspect of the product is grossly overdone in an attempt to appeal to the arena and stadium crowd, and while the songs may work well live; they fail as a listening experience on an album. Luckily, though, this isn’t the atrocious mess it could’ve been and they did find (and write) some decent songs, even if nothing here lives up to the singles from their debut.

I quite like “Don’t Let Me Be Lonely,” despite the somewhat muffled production and “I Saw The Light” is possibly my favorite song on the whole project. The title track is as folksy as they seem to get, and “Back To Me Without You” is nicely restrained although it gets a bit power ballad-y by the end. I don’t have a huge issue with thick production at all when it’s done correctly (here’s looking at you, Eric Church). Huff’s style actually works well on “Forever Mine Nevermind,” which has noticeable country elements in the choral melody.

I’m also enjoying the tender “Mother Like Mine,” which the trio wrote as a declaration of what the world would look like if everyone had been raised by their mom:

So the wars would all be over

‘Cause she’d raise us all as friends

And no one would ever wonder if somebody wanted them

We’d walk on grass that’s greener

And our cares would all be freer

If the world had a mother like mine

The no wars line is a bit predictable, and Kimberly’s vocal shows the wear of shouting too much on stage, but overall it’s a very touching song that would work well as a single. Their southern gothic tribute “End of Time” isn’t as revelatory as I would’ve liked, but it’s probably closest to the sound on their debut. “Night Gone Wasted” is a mess in this form, but I can hear the honky-tonk elements beneath all the noise, especially on the chorus. If any song ever called for an acoustic makeover, this would be it.

The rest is just plain dreck. I do get why some would praise “Chainsaw” for being a country romp, but it sounds to me like something Huff would’ve done with Rascal Flatts circa 2004. There’s just nothing new in the production to peak my interest. The lyric is typical Band Perry but the melody sounds very dated. Even the Target exclusive tracks are marred by unintelligent choices in both vocals and production, and can hardly be appreciated for the quality songs they probably are.

To call me disappointed in Pioneer would be an understatement. I’m thankful this isn’t an obvious clichéd attempt at commercialism, but this record could’ve been and deserved to be so much more. The songs are there but you wouldn’t know it based on all the distracting elements hindering overall enjoyment. Pioneer will rightfully get The Band Perry to that next level they so deserve to ascend to, but it comes at far too big a price for the fans that loved the simplicity of their debut. Hopefully, they’ll be able to find a happy medium next time.

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The 2012 CMA Nominations: The year that, well, just couldn’t

September 5, 2012

Such as they are, here’s the CMA nominees list for 2012 with my comments and Will Win / Should Win picks:

Entertainer of the Year

Jason Aldean
Kenny Chesney
Brad Paisley
Blake Shelton
Taylor Swift

The usual solid, yet unspectacular group. The lack of Carrie Underwood will have all her fans fuming as usual and everyone else will bark at the inclusion of Swift, a two time winner and the incumbent, for her increasing lack of country credibility.

Will Win: Taylor Swift – I’m betting on the safest choice this time around. She’s the most likely to pull off a win, her third. Chesney may’ve had the biggest tour, and Aldean is on fire right now, but Swift has the lock on this category.

Should Win: Luke Bryan, but he wasn’t nominated. As an all around entertainer, he’s so much better than Aldean, the only one who stands to keep the award out of Swift’s hands.

Female Vocalist of the Year

Kelly Clarkson
Miranda Lambert
Martina McBride
Taylor Swift
Carrie Underwood

Kelly Clarkson, really? I adore her but she hasn’t fully embraced a career in country music…yet. But she did score a #21 hit with the country version of “Mr. Know It All” so her nomination is somewhat, albeit very marginally justified. McBride is a snoozer scoring her 14 consecutive nomination and 15th overall as her career takes a downward spiral.

See, this is what happens when all the great female artists of late (Kimberly Perry, Jennifer Nettles, Shawna Thompson) are members of duos and groups.

Will Win: Lambert – she’s at the top of the heap and the countriest of the big 3

Should Win: While I’d love to see this award go to Clarkson, she’s a pop singer who’s done a bang up job covering country songs in concert. That’s it. I’ll say Lambert because of her intuition with Pistol Annies

Male Vocalist of the Year

Jason Aldean
Luke Bryan
Eric Church
Blake Shelton
Keith Urban

Another somewhat standard list until you take into account Urban is here in place of the red hot Dierks Bentley. His exclusion, which comes on the heels of three back-to-back #1 hits is shocking. Urban should’ve joined Brad Paisley and been made to sit this one out this year.

Will Win: Shelton – there’s seemingly no stopping him right now despite one mediocre single after another.

Should Win: Bryan. While I love Church, Bryan is the most exciting male vocalist to come along in years and a personal favorite of mine.

Vocal Group of the Year

The Band Perry
Eli Young Band
Lady Antebellum
Little Big Town
Zac Brown Band

On chart hits alone, all five deserve to be here this time around. It’s nice to see the exclusion of Rascal Flatts as their already bland material has only gotten worse in recent years.

Will Win: Lady Antebellum – is there any reason to bet against them?

Should Win: Little Big Town – Their latest single “Pontoon” isn’t just their biggest single, but its country music’s song of the summer. Zac Brown Band has also yet to score a deserving win, but LBT has been waiting for their time in the spotlight for far too long.

Vocal Duo of the Year

Big & Rich
Love and Theft
Sugarland
The Civil Wars
Thompson Square

Another interesting list. Sugarland shot themselves in the foot with Incredible Machine and thus are the least likely to repeat in this category. Love and Theft just scored their first #1, and Thompson Square have the ACM momentum.

Will Win: Thompson Square – they’ve yet to repeat the monster success of “Are You Gonna Kiss Me or Not” in their last two tries, but they’re far from one hit wonders. Shawna may not be the most flashy female vocalist, but she’s the most akin to the genre’s traditions.

Should Win: The Civil Wars – there isn’t a more ear catching duo in country music right now

New Artist of the Year

Lee Brice
Brantley Gilbert
Hunter Hayes
Love and Theft
Thompson Square

If we ever needed proof country music is in a rut, this is it. No one on this list has proven truly outstanding in anything they’ve done to date, and none have displayed the integrity to correctly push the genre forward.

Will Win: Brice, Gilbert, and Hayes are so even I can’t predict between the three. That may give Thompson Square the edge.

Should Win: Thompson Square – of this group, they’re the best of the bunch

Album of the Year

Luke Bryan, Tailgates and Tanlines
Eric Church, Chief
Miranda Lambert, Four the Record
Dierks Bentley, Home
Lady Antebellum, Own the Night

The significance of this category is huge. For the first time since his MCA debut When I Call Your Name, Vince Gill isn’t nominated. Guitar Slinger was one of the best country records of 2011 and deserved to be on this list. Also missing are George Strait’s Here For A Good Time, despite the fact his last two albums won, and Pistol Annies for their excellent Hell on Heels.

But rest assured, we get Own The Night. The category wouldn’t be complete without it now would it?

Will Win: Own The Night – if its good enough to get a Best Country Album Grammy, than it can’t loose here, right?!

Should Win: Chief – The Church album is the best of this list and the most original commercial country album of 2011. Four The Record was good, but nowhere near the caliber of Chief.

Song of the Year (Award goes to songwriters)

“Even if It Breaks Your Heart” – written by Will Hoge and Eric Paslay
“God Gave Me You” – written by Dave Barnes
“Home” – written by Dierks Bentley and Jon Randall Stewart
“Over You” – written by Miranda Lambert and Blake Shelton
“Springsteen” – written by Eric Church, Jeff Hyde and Ryan Tyndell

Another boring list. The exclusion of “So You Don’t Have To Love Me Anymore” is a travesty, and George Strait should’ve been honored for his songwriting contributions to Here For A Good Time. But the inclusion of “Springsteen” is all that matters to me.

Will Win: “Over You” – I can already see Lambert and Shelton accepting this together and I’m very happy about it

Should Win: “Springsteen” – its the best song of this bunch hands down

Single of the Year (Award goes to artist and producer)

Jason Aldean, “Dirt Road Anthem”
Blake Shelton, “God Gave Me You”
Dierks Bentley, “Home”
Little Big Town, “Pontoon”
Eric Church, “Springsteen”

Aren’t the nominations for Aldean’s awful rap over? Shelton, meanwhile, has been nominated for one of his grossest productions ever. Bentley’s patriotic anthem is wonderful, and Church’s ode is his best single yet.

Will Win: I’m leading towards, “Home” but could also see “Springsteen” sneak in a win. But as far as singles of the year go, “Pontoon” is about as big as it gets

Should Win: “Pontoon” – sure its frivolous, but unlike the Aldean hit its harmless fun, and LBT deserve anything the CMA decide to throw their way

Musical Event of the Year

“Dixie Highway,” Alan Jackson and Zac Brown Band
“Feel Like a Rock Star,” Kenny Chesney and Tim McGraw
“Roll Me Up and Smoke Me When I Die,” Willie Nelson featuring Snoop Dogg, Kris Kristofferson and Jamey Johnson
“Safe and Sound,” Taylor Swift featuring the Civil Wars
“Stuck on You,” Lionel Richie and Darius Rucker

The most thought out and interesting list, by a wide margin. The Jackson duet is his most exciting song from Thirty Miles West, the Swift duet is the most compelling single of her career, and the Nelson song is an hilarious classic in the making. The reworking of Richie’s classic suits him and Rucker well while the only clunker is the awful excuse for Chesney and McGraw to sing together on stage this past summer.

Will Win: “Feel Like A Rockstar” – the CMA can’t resist when two genre superstars team up

Should Win: “Safe and Sound” – putting Swift aside, its the most compelling track and another reason why The Civil Wars are currently the genre’s best duo.

Music Video of the Year

Eric Church, “Springsteen”
Kenny Chesney, “Come Over”
Miranda Lambert, “Over You”
Little Big Town, “Pontoon”
Toby Keith, “Red Solo Cup”

Of these, Church has the best video, followed by LBT. What’s so remarkable about the whole “Pontoon” thing is LBT haven’t caved into any pressure to act like 20 year olds. They’re being completely themselves all the while making millions.

Of the others, The Keith video is stupid fun, Chesney is all sex and no substance, and Lambert is as boring and depressing as the song.

Will Win: “Red Solo Cup” – as stupid as the song, but captures it perfectly

Should Win: “Pontoon” – lets have fun with this one, and this video is pure fun in the sun. But if Church only ones award, it’ll likely  be this one

Musician of the Year
Sam Bush
Paul Franklin
Dann Huff
Brent Mason
Mac McAnally

The award I know the least about, but all talented musicians. Can’t go wrong with any of them.

Will Win: Mac McAnally – too strong to bet against

Should Win: Sam Bush – for some variety