Posts Tagged ‘95.9 WATD’

Concert Review – Sara Evans at the Cape Cod Melody Tent

August 27, 2011

Not since Jennifer Nettles brought her lead-with-passion approach to modern country has a singer enthralled me like Sara Evans did last night at the Cape Cod Melody Tent in Hyannis, MA. She left her blood and guts on the stage as she powered through massive hit single after massive hit single. Sounding even better live than she could ever come across on record, Evans had me in a trance and didn’t let go until the show ended.

Her ability to gracefully overcome her inability to arrive at the venue on time (her private plane was grounded for two hours in Birmingham, Ala, where she lives) had an impatient audience ready and willing to forgive her and just get on with the show. With her raven locks in a tight pony-tail (the result of not having enough time for hair and makeup), she playfully engaged the crowd and exuded likeability rare among entertainers of her stature.

When the band launched into her opening number, a peculiar thing happened to me. I didn’t recognize the song or even the opening verse as she started singing, yet I knew every word, and obviously knew the song. For some unknown reason, I just couldn’t place it. The song was in fact “As If” the only hit single to stem from her 2007 Greatest Hits package. She followed it up with her top 5 hit “Perfect” and then launched into her signature song “Born to Fly,” which I fully expected her to leave until the encore.

On “Cheatin’” Evans brought the already biting lyrics to new heights. When singing the opening, “you say you’re everyday/is a bad dream that keeps repeating,” she slowed it down even further than on the album track and dug twice as deep with her twang, revealing nuances in her vocal ability I hadn’t heard before. Her band smartly gave her room to breathe during the opening and hinder the audience’s enjoyment of her vocal.

Evans than span her entire career with renditions of “I Keep Looking,” which she dedicated to all the women in the audience, and “Coalmine” which she dedicated to all the men. The country/bluegrass shuffle of “Coalmine” was a welcomed surprise although a tad puzzling. Only a minor hit when released as a single in 2006, it’s easily one of her lesser known songs to anyone who isn’t a diehard fan so I was left wondering about its inclusion in her set, although it made for a very entertaining moment and allowed Evans room to act playful with her band.

Midway though she explained her reasons for retreating from recording over the last few years, her now three-year marriage to football player Jay Barker, and the blending of their families, which together, makes up seven children. She joked that once the reality set in, she booked five years of non-stop touring. This led to the only talk of her new album Stronger and an explanation of her new single, a cover of Rod Stewart’s “My Heart Can’t Tell You No,” a song she always loved, and wanted to turn into a country hit. Singing the fire out of it, it was difficult to see where the negative single reviews stemmed from. I happen to love this cover of the song, and really dig the vibe she was going for. Hearing the song live was the difference; the album track pails greatly in comparison.

Evans followed-up “My Heart Can’t Tell You No” with her most-recent #1 “A Little Bit Stronger,” a song she found at the end of the recording sessions for Stronger and new she just had to record. It easily got the biggest rise out of the audience and it was clear to me, judging from crowd reaction, why the song became such an anthem.

Following the only talk of her most recent album, Evans told a story about growing up on a working farm in Missouri. She talked about the culture of where she came from, where you’d date boys in pick-up trucks and if the parents disapproved, it only made you love them more. I knew instantly where she was going with this, and I was right. It all led to “Suds In The Bucket,” her 2004 #1 smash.

Songs like “Bucket” and “Coalmine” were moments where Evans and her band could interact playfully. With “Bucket,” each member of her band raised a foot in the air, to signal the whole barefoot aspect of the song. Being at a venue that intimate and sitting so close to the stage, you’re able to enjoy little moments that get lost when an artist is playing for huge crowds.

Just when I thought there wasn’t anything else left to sing, they launched into another #1, “Real Fine Place To Start.” At the beginning of that song, it hit me just how many hit singles she’s had. She’d been on hiatus so long, I’d forgotten about all the great music she’s released over the years.

After “Start” Evans proved a slight benefit to having private plane issues. Instead of leaving the stage and coming back for an encore, she had the audience ask her for one without loosing anymore time. The funny thing is, it was during the “encore” where the night got most interesting.

Evans talked about how she’s always loved Tammy Wynette and when thinking about what classic song to put into her show only one came to mind. I fully expected her to sing “I Don’t Wanna Play House,” a track she contributed to the tribute album to Wynette in 1998. Instead she launched into a perfect cover of “Stand By Your Man.” I loved the classic country vibe and as usual, she sang the fire out of it. Only problem is, I couldn’t get Hillary Clinton’s comment from 60 Minutes out of my head. But of course, that didn’t dampen my enjoyment of the song.

Her second “encore” song was a bluegrass-y cover of Cheap Trick’s “I Want You To Want Me.” I love how she made such an recognizable song country. In thinking back, it reminds of something Evans said when Bill Anderson interviewed her on the TNN show Opry Backstage in 1998 – no matter what, everything she sings is going to come out country. In the case, that proved very true.

As a diehard country fan, and a lover of Evans’s music, I had a hard time believing “I Want You To Want Me” was the end of the show. She left the stage, and I fully expected her to come back for one final encore. I didn’t believe the show was over until the lights came on and everyone filed out of the venue. I wanted her to come back because of one thing – Evans didn’t sing her breakthrough hit “No Place That Far!” I couldn’t understand why of all the songs in her catalog she would exclude her first #1, yet she sang a Cheap Trick cover and “Coalmine,” which bombed when it was released to radio.

But that oversight didn’t dampen my experience in the least. I came away from the show in love with Evans all over again. I still can’t believe she hasn’t won a CMA Female Vocalist of the Year award yet. The ACM were smart enough to recognize her in 2004, but it’s about time the CMA follow suit. And she’s so much better live than she’ll ever be able to come off on record. If you haven’t seen her, and get a chance to, go. You will not be disappointed.

Her humor, which became overkill at times, was the biggest surprise for me. I’ve said it before in this review, but she really is playful and flirty on stage. I loved how loose she was. The great benefit of a concert at The Melody Tent was how the stage, like sister venue The South Shore Music Circus, spins. Evans made a joke that she had to stay inside the stage in order to keep spinning. Since if you don’t, you end up playing to one section of the audience too much.

Which wasn’t an issue for opening act Jake Hill, a local musician who’s recently gotten exposure from Almost Famous, a new local music show on 95.9 WATD, the radio station I intern at. He was able to play the stage and the crowd. This was my second time to see him perform in this setting, he opened for Huey Lewis and The News last summer.

While he performed a solid set, I wasn’t blown over by his music because it isn’t my style. He isn’t a country singer, but that doesn’t matter. He just isn’t the type of singer I like for long periods of time. But that’s me and no reflection on his set, which was very good.

In a lot of ways he reminded me of both a singer-songwriter  from Texas and Delbert McClinton. That’s the best way I can describe him. Hill’s best song came at the end ofhis set when he covered Kris Kristofferson’s “Me and Bobbi McGee.” He did such a great job and even had Kistofferson’s almost-drunken wayward singing abilities down. It was the highlight of his set and a great kickoff to a memorable evening.

In the spotlight – regional country singer Kiley Evans

May 17, 2011

One of the benefits of interning at 95.9 WATD is their association with local bands and artists on the south shore of Massachusetts. Whether or not their music is heard on the airwaves or just in local clubs, the DJs and hosts are very tuned into the local scene. This allows music fans like me, access to the best the region has to offer, including local country singer Kiley Evans. A 23 year-old Boston native, Evans describes herself as a “Boston girl with a Nashville soul.” She’s been gaining exposure thanks to multiple appearances on Cat Country 98.1, Rhode Island’s country radio station, and the many YouTube videos she’s posted of not just her own music, but covers of current country songs. She also just released two singles, “Johnny Depp,” and “Not Toady.”

Evans hit a home run with the title of “Depp.” It’ll surly intrigue listeners before they’ve ever heard it. And while song titles of famous people have proven to be hit or miss (“Johnny Cash” by Jason Aldean, anyone?) they have launched superstars including Taylor Swift (“Tim McGraw”). This addition to that linage may be a regional single, but it perfectly showcases Evans’s charm and appeal. Unlike a lot of country singers these days, she sings from the perspective of someone her age, which is a welcomed change. She also demonstrates a maturity that a lot of young talent spend most of their careers trying to find. Overall Evans has made a wonderful first impression which is often difficult to come by in this era of selling yourself out at the expense of fame and exposure. It’s the perfect single for her to gain local notoriety.

The single follows the well-worn path of relationship songs, but keeps it fresh by an infectious melody and catchy chorus that can’t help but get stuck in your head. I’ve only heard “Johnny Depp” a number of times and I can’t stop singing it. She  sells the song by her vocal delivery and invested interest in what she’s singing. It’s the perfect companion for those long summer drives with the windows rolled down and the radio cranked up. What really drew me into the song was her comparisons of the guy in question to both John Travolta and Johnny Depp – which might come off a bit corny at first, but is the attention grabber that made me take notice.

Unlike many country songs that misrepresent country music legends with disrespectful name drops, Evans employs two of Hollywood’s leading men as benchmarks in her quest to find true love. I can’t say it’s been done before, especially not recently, and it turns the name dropping trend on its head by finding a fresh perspective. Plus, it perked me up and got me to listen – the goal of anyone trying to achieve notoriety.

Evans’s other single is the tune “Not Today,” which allows her lets loose with her voice. A  pop/country power ballad, “Today” captures her slower side and unique tone to her voice. As a sucker for songs in this vein, I really like this one as well. While not as instantly catchy as “Johnny Depp,” it works because of what she puts into it. Evans injects enough personality to give this song life. While I wish the arraignment had been a little more sparse, she more than overcomes that minor shortcoming by telling a relatable story of being in love but not wanting to rush into anything. She wants to spend time with her man, but he wants to hold off for some rainy day, leaving her to wonder, “What if those rain clouds don’t come our way?” It isn’t that uncommon for women to beg for the attention of their men and that’s just what she’s doing here – trying to seize the opportunity at hand. And honestly, if this song is any indication, he’s be a fool to put it off any longer.

A complex story, Evans succeeds here by not retelling the same boring relationship story we’ve heard so many times before in a thousand different ways. Just like with “Johnny Deep,” she’s found a unique and fresh angle to themes relatable to everyone regardless if you’re a man or woman. Plus, it’s hooky enough to stick with you long after you finish listening to it. I’m always drawn to ballads for some reason anyway – I guess I’m just in the mood a lot for slower songs and “Not Today” really does fit the bill. And it’s alive enough that it isn’t sleepy. It’s often difficult to make a ballad that isn’t too slow and maudlin, a sleeper usually unfit for radio, but she smartly avoids all those pitfalls and has a really good song here.

It’s hard for me to decide if forced to choose, which of her two singles really is the better song since both perfectly show off the two sides of her personality and the type of artist Evans envisions herself to be. I honestly cannot choose – I like both songs equally as much.

Another great aspect of our ever growing technological world is the phenomenon of YouTube – the premiere outlet for sharing video content around the world. Evans has displayed not only her original songs on the site but also covers of some of country’s most popular hits of late including Thomson Square’s “Are You Gonna Kiss Me or Not,” Lady Antebellum’s “Just A Kiss,” Miranda Lambert’s “Kerosene,” and Swift’s “Mean.” All three bring another depth to Evans’s ever-growing catalog of music. Seeing how a new artist interprets current hits allows fans to see who influences that artist when they’re creating their own sound through they’re own songs.

I really enjoyed Evans’s cover of “Mean” – she took the song from an uptempo country rocker and turned it into a stripped down ballad. While I always find it a little weird to hear someone other than Swift singing this song, Evans has one of the better cover versions I’ve heard. What’s interesting to me is, Evans seems just as comfortable in front of a camera just playing her guitar as she does singing her own songs with the band/studio musicians. There’s no doubt how hard it is to be that naked and post it for the whole world to see, and she really pulls it off.

Evans’s cover of Lady Antebellum’s “Just A Kiss” underscores a problem I’ve had with Lady A for a while – Hillary Scott isn’t a very dynamic singer. Scott can come off a bit flat at times, and lack a necessary intensity. This only boasts well for Evans who brings much more to this song than Lady A ever could. She has the power to her vocals needed to pull off this song.

As far as “Kerosene” goes, Evans is treading on dangerous waters. I haven’t been shy regarding my love of Lambert, and was leery of someone else tackling one of her hits. She gives the track, courtesy of a brand new guitar, a fire and intensity that made the original so great and she gives the song her all. There really isn’t anything negative I can or would want to say about it. Overall, it’s a very good cover.

The other recent hit she’s covered is easily one of 2011’s biggest in the country world – Thompson Square’s “Are You Gonna Kiss Me Or Not.” While this song moved up the charts at a glacier pace, it exploded in January and was very difficult to escape. It only took a mere nine months before topping the charts. That being said, what would Evans bring to the song to make it her own? As is the case with almost all her covers, she does stick very close to the original version. And her take on “Kiss Me” isn’t any different. She showcases her humor at the beginning, talking about not wanting to kiss the camera, and goes into the song. It’s a very good cover of a very catchy song.

What’s just occurring to me, is the clarity of Evans’s voice. When she’s doing these covers, with just her guitar, she has a clearness to her vocals that rivals many singers today. To be able to understand vocalists is often overlooked but it’s key. It’s how listeners remain invested in the music. With that being said, it seems like Evans has a bright future ahead of her. While she won’t be burning up the national charts in the coming months, she’s working extremely hard to build her profile. If you’re in the south shore Massachusetts area, she’s worth checking out.

For more information check out http://www.kileyevans.com where you’ll find her blog and a list of upcoming appearances. Also, be sure to check out her many videos on YouTube and request her music on Cat Country 98.1, 95.9 WATD, and any other radio station who will give her a shot. Also be sure to buy her two singles on iTunes. Below are her two singles, “Johnny Depp,” and “Not Today” plus her cover of Lady Antebellum’s new single “Just A Kiss.”