Album Review: Kasey Chambers – ‘Bittersweet’

Kasey Chambers

Kasey-Chambers-Bittersweet

Bittersweet

* * * *

Kasey Chambers’ tenth album, which has finally been released in the United States, has quickly become one of my favorite records of the year. Composed on the heels of her divorce from Shane Nicholson, Bittersweet is also her first set of music without her brother Nash at the helm.

Chambers wanted something different this time around and enlisted the aide of Nick DiDia, a rock producer best known for collaborating with Pearl Jam and Bruce Springsteen. As a result, Bittersweet is a tender collection soaked in Banjo, tasteful piano, and a whole lot of emotion.

At its heart and soul, Bittersweet showcases a woman grappling with the sensations that follow unexpected life turns. On “I Would Do” Chambers beautifully lays out her devotion to her man, vowing to go to the ends of the earth for him – even if the journey leads to heartbreak. The waltzy “House on a Hill” likens her brokenness to the plight of a dilapidated house, spelled out with gorgeous poetry:

And it’s old and it’s worn

And the curtains are torn

And tomorrow they’re tearing it down

And just like a heart

It’s falling apart

It couldn’t stand up

If a hard wind blew

And it’s been through it all

And there’s cracks in the wall

They may as well just

Take me down too

She spells out her pain in the devastating title track, my favorite song on the album. A duet with Bernard Fanning, “Bittersweet” is a masterful reflection by a couple that have grown so far apart they don’t need each other anymore. Chambers relinquishes the lead to Fanning, which gives the track its bite. As a result, her interjections are all the more powerful.

“I’m Alive,” in direct contrast, finds Chambers turning defiant, declaring she’s gone through the fire and come out the other side a stronger woman. Backed by acoustic guitar and harmonica, Chambers adds every ounce of pathos to the lyric she can muster:

And through all the blood and the sweat and the tears

Things ain’t always what they appear

I made it through the hardest fucking year

Rockers like “I’m Alive” are hard to come by on Bittersweet, but they’re also some of the album’s finest moments. I adore lead single “Wheelbarrow,” a collaboration with Ashleigh Dallas. The lyric relies on repetitive phrasing, which allows it to joyfully get under your skin. I’m not usually one for loud arrangements but the mix of blistering rock and back porch picking is perfection. “Hell of a Way To Go” applies similar production techniques to frame Chambers’ request of what should be done with her remains if she dies of a broken heart.

“Stalker” finds Chambers unleashing her inner crazy while “Heaven or Hell” has her warning an egomaniac to come off his high horse. The almightily plays a surprising role on Bittersweet, showing up at the beginning and end of the album. The beautiful “Is God Real” finds Chambers looking for something to believe in. “Christmas Day” is an exquisite holiday tune about Mary and Jesus.

Bittersweet is my favorite album so far this year because Chambers has a way with a lyric that keeps the project from detouring into ‘breakup record’ territory. Her ability to traverse a wide array of emotions, while coming to terms with the changing tides of life, is striking.

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