Album Review – Grits and Glamour (Pam Tillis and Lorrie Morgan) – ‘Dos Divas’

Grits and Glamour (Pam Tillis & Lorrie Morgan)

DosDivas

Dos Divas

* * * 1/2 

It’s always interesting when a favorite artist issues a new recording. Your gut instinct is excitement, but you also wonder if the new material will measure up to the iconic music from that singer’s catalog. That sentiment certainly rings true about Dos Divas, the much anticipated duets project by Grits and Glamour, the duo comprised of Pam Tillis and Lorrie Morgan.

Tillis and Morgan are certainly an inspired pairing. They’re second-generation country singers who’ve grown up in the business and have been close friends since they landed major label record deals some twenty-five years ago. The pair even co-headlined (along with third-generation country singer Carlene Carter) a tour together in 1996. They’ve been touring under their current moniker going on some three years now and it was the fans that demanded this new release.

You have to be careful what you wish for. Dos Divas is a smorgasbord of duets and solo efforts that aims high, but never quite reaches its full potential. The main problem is Morgan, who’s still pushing her I’m-fifty-going-on-twenty persona that’s been her calling card for over a decade now. Her voice has also caught up with her look, and while she has moments where she makes it work, the control she once possessed so beautifully just isn’t there anymore. Tillis, meanwhile, is the same powerhouse dynamo that brought us to our knees on “Maybe It Was Memphis” twenty-two years ago.

Among the six duets on Dos Divas, there are some standout moments. I quite like “Bless Their Hearts,” a mid-tempo number Tillis co-wrote with Jimmy Richie and Joanna Smith that wouldn’t be out of place on a Miranda Lambert album. Morgan’s vocal is nasally, but the lyric and understated melody shine. Also good is Mary Sue England and Thom Shepherd’s “I Am A Woman,” a beautiful 90s-inspired piano ballad that shows off how well the pair harmonize together.

They turn up the energy on “I Know What You Did Last Night,” the fun and campy lead single. It’s the next morning recap of last night’s shenanigans and easily   the best party song of 2013. Tillis and Morgan are excellent when they play off each other with a nicely structured lyric. “I’m Tired,” a wisp of a honky-tonker complete with brilliantly placed fiddle, works just as well.

Initially I was frustrated by the inclusion of solo numbers as this is billed as a duets project. But the pair calls Dos Divas three albums in one, and the solo numbers are a chance to see how they fit into contemporary country. Interestingly enough, they balance it out with some excellent and some horrid numbers.

Morgan shines on the plaintive ballad “Another Chance To,” written by Joe West, Tom Shapiro, and Tammi Kidd. Framed by fiddle, mandolin, and piano, Morgan sings of second chances – spurred by a traffic jam caused by a med-flight helicopter landing just up ahead on the highway. The resulting euphony (every day’s a gift) is predictable, but Morgan infuses the song with the right amounts of sincerity and believability. “Last Night’s Makeup,” co-written by Brandy Clark and Shane McAnally (with Jessie Jo Dillon) is almost as good, but I found the word “makeup” just a little too jarring. The sentiment is good, though, and Morgan brings her real-life romantic experiences to her vocal.

I’ve had issue with songs that mention mobile phones and Facebook because they seem out of place to me for some reason. So I was inclined to hate “That’s So Cool,” but the melody is just so darn appealing that it cancels out the lyrical inanity in Morgan’s co-write with Eddy Raven and Frank J. Myers. I also have issue with Morgan’s inability to act her age on the track, but it fits well within her persona.

Tillis doesn’t have any solo numbers that reach the heights of “Another Chance To,” but torch ballad “Even The Stars” comes close. Tillis sings the hell out of the lyric, and I love how the arrangement so brilliantly frames her voice. She also gives a vocal master class on “I Envy The Sun,” although I couldn’t totally engage with the lyric. The melody of “Ain’t Enough Roses” can become grating, but once again, she sings the track well.

More often than not I do really, really like Dos Divas. But when the songs veer off course, they are embarrassingly bad. “Old Enough To Be Your Lover,” a number Tillis handles solo, is unintelligent and while she gets the “fun” just right, Lisa Carver’s lyric forces Tillis to wear a character that just doesn’t fit right. She’s better than this. The pair team up for one track they co-wrote together, and “What Was I Thinkin’” was supposed to be a comical tour-de-force about the their past romantic conquests. In execution it’s sloppy dreck that fails to be funny or clever.

Dos Divas is one of those weird projects that is nothing like anyone thought it would sound, giving the pedigree these two share, and Tillis’ near flawless track record for turning out expertly crafted albums. I love almost every track here, but wouldn’t deem any essential listening. I’m glad the record exists, for shear listening pleasure, but both ladies have already proven they’re better than this artistically.

Advertisements

Tags: , , , , , , , , , , , , , , , , ,

One Response to “Album Review – Grits and Glamour (Pam Tillis and Lorrie Morgan) – ‘Dos Divas’”

  1. Joshua Says:

    Glad we are all entitled to our opinion! Title Cut is the strangest, but most fitting when you approach their careers with a Venn Diagram (Mi Vida Loca & He Drinks Tequila/She Talks Dirty In Spanish). Old Enough…is a fantastic inclusion because it’s completely a 180 from any song I’ve ever heard Pam perform. It would have easily fit into Lorrie’s repertoire, but Pammie pulls it off flawlessly. Even The Stars reignited my desire to believe in love as something special! Envy the Sun, equally as emotive, just the opposite end of the spectrum. Last Night’s Makeup, is a fresh take on all songs in the vain of Need You Now. Plus Shane McAnally has a knack for dialing into the woman’s psyche. Lastly, What Was I THinking, is just a revisit to their careers and I am sure it’s how they close out their show in one way or another. I think the weakest songs are the ones you highlighted, but again, just glad we’re all in a country where we’re all free to choose!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s


%d bloggers like this: