An Appreciation: The 9513

The news that premier country music blog The 9513 is shutting down hit me in the gut. Online country music journalism lost a big voice and I lost the porthole that led me down the road I’m on today. I didn’t think the news would effect me this much, but it really has.

I’ve always held The 9513 in reverence because their writers revolutionized my thinking and understanding of country music. I have them to thank for opening my eyes to disintegrated state of mainstream country and for showing me why certain songs are fantastic while others are just overwrought cliches of the Nashville machine. The article that changed my perspective is Karlie Justus’s single review of Justin Moore’s “Small Town USA.” I don’t think I’ve disagreed more with a single review than that one. I couldn’t understand why anyone could rate that song a “thumbs down” because I happened to love everything about it, and still do. I got caught up in Moore’s delivery so much that I couldn’t see the song’s faults. But that review laid the groundwork for me to look at country music with fresh and new eyes.

Beyond their expertly crafted commentary on mainstream country music, the 9513, and a few other country music blogs, always knew that Nashville didn’t dictate the whole story of country music. The genre is much wider than what’s heard on the radio. By never losing sight of that they were able to paint a much clearer picture of the genre. They also never let the past remain as history. Whenever a new class of hall of fame inductees were announced you could always count on the site to begin the conversation of whether the acts were deserving, who was snubbed, and so fourth. The discussions about the genre were always first rate and displayed an intelligence rarely seen anywhere else.

My favorite discussions were those that weren’t recapping an event but predicating it. Like posts on what the nominees for the CMA or ACM awards should be before the nominations are announced. And my favorite, Paul W. Dennis’s post on who should be in the Hall of Fame. It was just such a post by Mr. Dennis that contained a comment I’ve never forgotten – that song for song, Tanya Tucker had a better musical catalog than Reba McEntire. (his full comment was “Tanya’s best songs blow the best songs of Reba or Barbara out of the water.”)

While both had the gift for choosing expertly crafted material, I’d never pitted their music up against each other in that way or even thought about comparing artists in that light. I’ve never given thought to the accuracy of that opinion, since I hold both artists in such high esteem. But it’s a very interesting thought-provoking comment I hadn’t read anywhere else.

In looking over the comments to their farewell post (linked in my opening paragraph), someone mentioned how much they’ve always loved the monthly mailbag features. I never really cared for them, only because the whole thing was made up, but they were a monthly dose of comic relief on the stupidity of country music. As random as they seemed, they were unique to the site. But the feature I would look forward to was the news updates. Everyday around noon I would excitedly log onto the site to get my daily round-up of the best in recent posts in the country music blogosphere as well as free downloads of some great music. They pulled it all together and had it in a neat little package for everyone on a daily basis.

The 9513 was also the place I engaged in my first real debate on country music. In the comment thread of Juli Thanki’s single review for Easton Corbin’s “Roll with It,” I made the comment ” In a way I wish Rory Feek would’ve kept the song (“A Little More Country Than That”) for himself…when you give away all your sure-fire radio smashes, you don’t stand a chance of having success yourself. That’s been the biggest mistake Joey + Rory have made.”

This lead to a back-and-fourth between me and Roughstock‘s Matt Bjorke where he got the final word:

Matt B: “Jonathan, There are some very strong songs on Joey+Rory’s Album #2.”

Me: “Thank you Matt. I look forward to checking it out. I just wish they wouldn’t give their songs away for others to record. Who knows where they would be today if they had kept “Some Beach” for themselves…”

Matt B: “Rory’s songwriting career has literally bought them a farm and more. They can afford things like a tourbus as well because of things like that. Giving away a few songs that wouldn’t work for them is just fine.”

It’s funny to look back because the “debate” as I call it was rather lame by my standard today. I didn’t hold up my end that well. Now I’m much more comfortable having a long back and forth with commenters. But it’s how I got my feet wet engaging others on the merit of country music. I don’t have these “debates” all that often, but I feel like I kind of know I’m talking about when I do. I think I defended my opinions well when Libby called me out about Tim McGraw and Gweynth Paltrow’s duet “Me and Tennessee” a few months ago (over at Country Universe).

And that’s the remarkable quality about The 9513 – it took me a second to figure out commenters weren’t just commenters or random country music fans, but actually connected to the country music industry in some fashion (i.e. fellow bloggers, radio DJs, etc). Of course there were others like me who are merely fans of this great music but a majority were heavy hitters. The community established within the comments sections of posts wasn’t duplicated anyplace else on the web, at least that I can find. I read many country music blogs on a regular basis and none were as community oriented or connected as The 9513.

But the rare and astonishing thing I found was The 9513 was slowly beginning the process of breaking down the barrier between artists and fans. Everyone, no matter if it were a big name in Nashville or a country music fan with a computer, would comment side by side. I remember just a few months ago, Sunny Sweeney commented on the single review of her song “Staying’s Worse Than Leaving.” And songwriter Robert Lee Castleman had  a comment to make in the single review of Alison Krauss and Union Station’s version of his song “Paper Airplane.” What this was doing for the future of country music was revolutionary. If we can get to a place where singers, songwriters, and fans can debate, interact, and coexist as one unit than we’ve changed open communication within the country music industry forever. With the rise of Facebook and Twitter has come another breaking down of the wall, and this was another step. Lets hope this wall can be further broken down in other places in the future.

I remember reading an article in Country Weekly, before I stopped reading it do to it’s demise in quality, that country music blogs had been taking over the job they were supposed to have by interviewing artists. I remember a time, in 2009, when The 9513 would conduct and transcribe what seemed like hundreds of interviews with some of country music’s biggest stars. And they always ended the interview with the same question – what is country music to you? It’s nice to see that Ben Foster has carried on this interesting tradition, because their answers were always fun to read. At the end of that year, The 9513 even compiled a list of the answers to that question from interviews over that given year – read it here. In looking back over that post, the answers are extremely thought-provoking. To hear these artists, from the likes of George Jones and Charlie Daniels, to Whitney Duncan and David Nail talk about the music in their blood is riveting. I haven’t really looked at this post in over a year and a half, but in looking at it with fresh eyes tonight, the George Jones comment that leads the responses really stands out to me. Not only did they get George Jones to talk to them but he really gave a substitutive response to the question.

Another reason The 9513 is held up to a high standard is their attack of all country music. They didn’t just comment on the singles, but took note of those extra special album cuts that should be catching our attention. In their year end best of lists, singles and album cuts stood side-by-side with album cuts winning out the majority of the time. They named “The House That Built Me” their song of the year a full year before the CMA and ACM did the same thing. They led the charge in championing Joey and Rory and their Life of a Song album and recognized the caliber of Sugarland’s “Very Last Country Song” even when no one else did. They dared to be different by standing out. I’ll always admire them for that.

The 9513 has met many things to many people. In reading the 1-to-10 Country Music Review tonight, it led Ben Foster to create the blog that’s given rise to his fine commentary on country music. It gave the fans a voice. And while it didn’t inspire me to write it did, like I said above, forever alter my thinking about the merits of country music. It also led me to Country Universe, my favorite of all the country music blogs because of the caliber of the writers and attention Kevin, Leeann, Dan, and Tara put into the details of making the site work. I will forever be indebted to The 9513 for that.

In looking back as I write this, I cannot believe how long I’d been reading The 9513 on a regular basis. It’s a testament to the excellence of all the writers whose work has been posted on the site over the years. They put in so much effort into making the site the shining example of what country music can and should be on the internet. The spirits of all the writers shown though and their passion for all things country music led the way. I want to personally give my gratitude to Brady and Brody Vercher for all their hard work in creating this exemplary community for fans of country music. I completely understand that when life gets in the way, passions that don’t dictate livelihoods must be put aside. And I also get the need to go out while everyone still holds you in such impossibly high esteem. I wish this wasn’t the end, and we would all go back tomorrow morning and watch another sideshow debate between Jon, Rick, Fizz, and Waynoe in the midst of insightful comments on another single or album review.

But as Alan Jackson sang “Too much of a good thing/is a good thing.” While this chapter may be closed, here’s to opening another one. The saga of country music blogs and the writers who made this site what it is, is far from over. And I’ll be there for every twist and turn ahead as we all move on to the next phase in this fabulous journey. Believe me, the best is yet to come.

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2 Responses to “An Appreciation: The 9513”

  1. Brian Says:

    This is a great post! I found the 9513 only about a year ago, but I love reading it and am equally surprised and disappointed that it is being discontinued. Not sure why… the writers claim it is too time-consuming, but it seems they have enough regular contributors and writers to hand over some responsibilities and keep it alive, even in a scaled back form. My all-time favorites from the 9513 are Chris Neal’s “Everything Louder than Everything Else” and “No Sex Please, We’re Country”. Even their articles I disagreed strongly with, I have to admit presented a strong case (case in point–“Why Miranda Lambert is Overrated”–I’m a HUGE fan over her).

    In any event I share your appreciation–The 9513 brought a measure of critical analysis and sophistication to the country genre. I’ll check out the “Country Universe” site you mentioned.

    On a related note, do we know Sunny Sweeney herself commented on her single review on The 9513? When I saw that I automatically assumed it was some random reader using her name in jest…

    • Jono Says:

      Thanks Brian! Sorry It’s taken me so long to reply! The reason the 9513 is being retired is the founders of the blog, Brady and Brody Vercher weren’t willing to give up control of their blog to someone else. It’s sort of a, if they can’t have it, no one can. It’s too bad, too. It is such a great webpage.

      I too am a huge fan of Miranda Lambert, loving her music since her Nashville Star days. I remember the “Everything Louder Than Everything Else” post quite well and even linked to it in one of my posts a while back. I agree with the argument there – Revolutionis quite a loud album from an internal production standpoint. But she can do little wrong in my book and I forgave that misstep pretty quickly.

      Also, there may be some evidence to suggest that was Sunny herself commenting, but I don’t have it. Everyone just went along and assumed it was her so I did, too. The real reason I thought it was her was the fact the comment mentioned loving reading the comments about “my latest single.” But you’re right, it may not have been her.

      Thanks for reading and commenting Brian! I’m glad you’re taking an interest in what I have to say.

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